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Nicola Thoms release Beautiful Mind Single

Nicola Thoms release Beautiful Mind Single

URL: www.nicolathoms.com

“Beautiful Mind” is the latest single from Nicola Thoms, and it’s a breath of fresh air by a new Pop artist for Soul and RnB music lovers too. There is a back story to her and the song she wrote about her Grandfather that are worth sharing. Nicola grew up being surrounded by soul and R&B music, and throughout her youth, long car journeys with her parents were always accompanied by the likes of Whitney Houston, Stevie Wonder, Candi Staton, Teddy Pendergrass, Michael Jackson and Lauryn Hill, and these artists very much lay the foundation for her love for music.

She also draws inspiration from more current artists including Amy Winehouse, Jhene Aiko and Lianne La Havas, but just the thought of Teddy Pendergrass being an influence on her is a point of interest because to put it mildly there was never a better Soul singer. You can hear some of these others mentioned, written all over her voice though. She compliments, rather than copies anyone, and that’s a hallmark of any great original artist. Her voice does all the rest needed to win you over with a song that hits home, where the heart always is and always will be.

INSTAGRAM: www.instagram.com/nicola_thoms/

On this single, her voice is simply enhanced by electronics to bring out the occasional flashes of energy throughout the song. There’s no music of any dominating force, it’s all a showcase of top notch vocals and her capabilities are as strong as they come. And the song itself being about her Grandfather is where the whole thing comes together, and you feel what she’s singing through the lyrics, let alone her astonishing voice. Frankly, Nicola leaves other singers of her generation in the dust. She’s the type of singer that sticks to your mind, body, heart and soul. There’s no arguing that.

SPOTIFY: open.spotify.com/track/4gbpso3Gn4ncT7zwKKyRXX?si=l7jty0K0QZO5RBH0zu9GDg

Nicola’s Granfather being the subject matter of the song, it’s about being scared-of memories drifting too far, and some of the great things about her Grandfather. It’s almost like a dream with her singing to him, and/or about him. This is a very mystifying song because of her relationship with her Grandfather, and it just makes the song everything it can be. Laughter and pain are one in the same and you get the feeling you’re living the song. It’s a live animal that way, and an untamed one too. The lion becomes unleashed the second the song begins.

SOUNDCLOUD: soundcloud.com/nicola_thoms/beautiful-mind

What a music education means is more than meets the eye, and that’s why Nicola sounds so mature for her age. She’s really been developing for some time now, so this single isn’t some kind of fluke, it’s guaranteed to come with follow-ups, as it followed up another track called “Nothing On Me” which is another story, altogether. But check out “Beautiful Mind” for all it’s worth, and you’ll be wanting to hear anything you can by this young and quickly growing singer from the East of London, while the rest of the world awaits without knowing what to expect from her. She brings fireworks to the ears.

Clay Burton

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The FM’s “Eyes Are Suffering” by Harry Wells

 

A smashingly devastatingly powerful once of decadent Goth best describes The FMs. From out of nowhere lead singer Matt Namer prances upon the unsuspecting listener with his music and enlightenment with a true excitement felt to the bone. You’re not sure initially if you’re being  tortured or saved, in the best possible way. Then all at once you realize, these guys care about the world and intend to try and change it.

Everything about this audacious faction is “out of the box” from their lyrics to their awe inspiring videos, giving Goth a gold medal. Their newest song, “Eyes Are Suffering”, in the words of Namer ……”We wanted to create an anthem against ignorance and complacency”. The band dives deeply into their beliefs in this song, and adds a haunting, unforgettable sonic sensibility to their meaningful lyrics.

This is a group to watch, and to watch carefully as they have potential to rise above the goth world and actually be taken very seriously. Their motto is “We’re trying to save the world without being dicks”…. you just have to love a band like that !!

 

For More Information:

thefmsmusic.com

Facebook.com/thefmsmusic

soundcloud.com/thefms

twitter.com/thefmsmusic
thefms.bandcamp.com/

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Sirens – I Believe

Sirens – I Believe

URL: www.SirensMG.com

(Washington DC) Sirens is a band made up of Stevie Lee Kinzer, Josh Barnhart and Jacob Barnhart. The guys met at a show in Wyandotte, Michigan at the ZUBA music festival while playing in different bands. The band was spontaneously formed that day but technically Sirens (USA) was born after Steve Lee Kinzer decided to move from Michigan to the Washington DC in 2017.

Their latest single I Believe single lifts off the ground quite nicely with methodically layered rhythm section, hooky musical flow against a grand slam chorus. The build up to the chorus si impressive and serves up a mesmerizing melody meshed against heartfelt vocals and well placed harmonies from Jake Barnhart and the gang. I would describe this piece a captivating, mesmerizing and invigorating. As the track hits solid stride it dishes out s consistent rock-driven groove meshed with heartfelt vocal flow that flows and ebbs its way through to emotional fruition.

I can hear many different musical textures reminiscent of Muse, Coldplay, Modest Mouse, and even classic XTC. The single is extremely melodic but definitely brings to the table a lot of musical variety and much in the way of hooky melodies via a short and sweet format. You will notice rich musical textures overflowing everywhere – from thick as a brick moog bass, driving multi layered rhythms, sonic synthesizers and keyboard accents, vocal harmonies all built upon a rock solid rhythm section. I like the quirky solo and the Beach Boys-esqe type harmony ending the song – nice touch.

All band members play their parts extremely well song for song and note for note. Let me go on record to say there’s not a dull moment on the entire production. The music is passionate and just exciting and suspenseful to listen to.

It’s hard to find any noticeable weaknesses with this single no doubt. If I was producer I think would shy away from the fade out ending and just cut it off somewhere within the harmonious segment. I wish there was a bit more peak and valley effect within the song. Overall the vocal deliver comes on way too strong across the board. Maybe more live instrumentation like Sonic Trumpet, Horns and percussion. All of the above would give it more of a pop appeal without losing the hard rock edge.

From start to finish I Believe by Sirens is a rock solid musical production from start to finish. It’s an extremely consistent, catchy, and a highly melodic ride, with a powerful message to boot. Its strength – it’s just a good and consistent listen and it’s strong suit is it’s positive message. The music will grab the listeners senses refusing to let go. All in all these lads combine amazing musical talent with effective songwriting and vocal abilities delivered hot to the touch via an entertaining collaboration that will have you dancing into the unknown.

I-TUNES: itunes.apple.com/us/album/white-album-single/1351058031

Clay Burton

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Brian Hutson – Anything Can Happen

Brian Hutson – Anything Can Happen

INSTAGRAM: www.instagram.com/brihutson/

The near-certain success of Brian Hutson’s latest single release “Anything Can Happen” will likely move this young New York based singer into the upper echelon of singing talents in popular music today. His 2015 discovery by producer Joe Vulpis has lead to a number of important and entertaining releases like his idiosyncratic cover of the Christmas classic “Blue Christmas” and the EP release Midnight Sessions and his new song builds on their quality while expanding his reach further than before. Hutson’s voyage from his Hudson Valley upbringing, working on Wall Street, and finally making major forays into the popular music world is an unique tale even for these modern times and you hear that excellence reflected in every minute of “Anything Can Happen”. It’s a winning effort from a young performer who has a limitless future and a bright 2018 ahead of him.

You can hear the promise in his voice. The entirety of “Anything Can Happen” is practically a vocal clinic with Hutson dispatching one inspired turn after another and showing unflappable instincts for knowing what the song needs. A lesser performer might have been overwhelmed by the idea of living up to Hutson’s success thus far, but he sounds galvanized by the opportunity. Despite the obvious fact that this isn’t a live performance, it’s difficult to not hear how Hutson’s vocal is completely informed by the musical arrangement and spills out of him in a stylish release that explores different channels in the listener’s emotional register. He consistently shows the same mastery of song that you hear from much older artists, particularly the iconic ones, and Hutson’s supreme confidence is one of the track’s most vivid features. He especially excels during the song’s chorus and it’s one of the track’s best moments overall.

There aren’t a plethora of instruments involved in this song, but the sounds present are woven together in a substantive thread that evolves nicely from the first and has a sense of knowing where it’s going from the first. Acoustic guitar lines nearly act as a second vocalist matching Hutson’s voice at various points in the song, but assume a capable supporting role at other points as well. The bass and drumming on “Anything Can Happen” give it some additional force, otherwise it might float rather dreamily – that foundation is important to the song’s overall success. The beauty of a song like this, ultimately, lies with how natural it sounds and it moves from a rather simple beginning into something much vaster and grander sounding. Brian Hutson’s career trajectory, thus far, has been one of the most memorable in recent memory and the new single “Anything Can Happen” brings home the reality, once again, that this is one of the best young performers coming into the scene for some time. It’s a great beginning to 2018 for Brian Hutson and will only get better from here.

SOUNDCLOUD: soundcloud.com/brihutson/anything-can-happen/s-OjauX

Photo Credit Angela Talley

Clay Burton

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Thadeus Gonzalez Releases New Single “A Murder When I Sing” On Friday April 27th, 2018

Spectra Music Group recording artist Thadeus Gonzalez is releasing his highly anticipated new single “A Murder When I Sing” off his latest album “Silver Inside” on Friday April 27th, 2018. Now available for pre-order, reserve your copy today!

Rock musician Thadeus Gonzalez has earned international critical acclaim, and has been called €œ”a frontman to watch”€ with “€œan arena looking and sounding attitude.”€ He’€™s opened for KISS, Motley Crue, Slash and in 2017, Bon Jovi at the SAP Center in San Jose.

The highly anticipated new single “A Murder When I Sing” follows the successful release of the first single “Silver Inside” and it’s music video filmed at Soundwave Studios in Oakland.  The video harnesses the dynamic live performance that has earned Thadeus Gonzalez critical praise. Gonzalez explains that the song is about “being self-aware enough to understand where I am, and where I want to be.” “Silver Inside” was written by Gonzalez and recorded with Richards on bass, Dennis Hill on guitar, and Nathan Walker (Lit) on drums. Hill (Hagar/Satriani, Lit, Good Charlotte) also produced and Kyle Homme (Matt Costa, Sugarcult, Reel Big Fish) mixed.

Pre-order  your copy of “A Murder When I Sing” by Thadeus Gonzalez on iTunes here:

itunes.apple.com/us/album/a-murder-when-i-sing-single/1369004546

Follow Thadeus Gonzalez  on Twitter @ThadeusGonzalez

The official website for Thadeus Gonzalez may be found at www.ThadeusGonzalez.com

The official website for The Spectra Music Group may be found at www.spectramusicgroup.com

Follow the Spectra Music Group on Twitter @SpectraMusicInc

For interviews or more information contact info@spectramusicgroup.com

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Ladylake Music and Jimmy Star (World Star PR) Reach Finals of Nashville Universe Music Awards 2018

 

World-renowned music promoter Ladylake Music and publicist Jimmy Star from World Star PR make the final round of the 5th Annual Nashville Universe Awards. Voting Ends September 15th, support these two incredible talents today!

Nashville Universe is a 24,000+ member community of artisans, fans and related industry who all believe in the power of great art! Since 2013, our community has grown to include singers, songwriters, recording artists, musicians, producers, film makers, actors, celebrities, and all their fans; plus many prominent members of the related industries – including managers, agents, promoters, and executives from recording labels, publishing companies, performance venues, and entertainment organizations.

Nashville Universe provides many opportunities for the artistic members to showcase their talents and connect with fans, including the annual NASHVILLE UNIVERSE AWARDS show held in downtown Nashville, a booth hosting artists and celebrities at the annual Fan Fair X during CMA Fest in Nashville, and multiple showcases throughout the festival and numerous contests and showcases throughout the year.

LadyLake Entertainment, an eleven year strong independent arts promotional company headed by Cindy D’Adamo, has just gotten word that their recent global inter-company project “South By Down Under” has resulted in their highest social media reach ever, with a 120M score as reported by the independent analysis company, Sum All.

Founder of #SXDU along with: the Envision Indie Coalition, a collective of 20+ independent arts companies, Project Encourage – Music For Vets, and Charity Umbrella- Musicians Paying It Forward, LadyLake is creating waves of change throughout the independent arts community.

With award-winning artists, trending media, regional sponsor Texas Select Beverage Company, and roster sponsor “Light Up The Love”, LadyLake is on the move in 2018 with events in Boston, Texas, Vegas and Florida on the way. “Karma is our Business” is their company mantra, and karma indeed seems to be on their side, as they compete in the final round at the Nashville Universe Awards.
Roster info: www.reverbnation.com/label/ladylakemusic
For info: www.linkedin.com/in/ladylake/

Jimmy Star is the internationally known television/radio host of The Jimmy Star Show with Ron Russell, the #1 Webshow in the world with 4.5 million weekly listeners/viewers, bringing the best in celebrity interviews, comedy, music and entertainment every Wednesday from 3-5 pm ET on www.w4cy.com.

 

 

Co-founder of World Star PR with NY Times best-selling author Eileen Shapiro, World Star PR is  the Go-To alternative for actors, filmmakers, models, musicians, authors and other entertainment professionals.
We have great reach, great industry relations and work diligently to get your the results you are looking for.
Company Specialties:
-Music Promotion/Interviews
-Social Media Management
-Digital Marketing and Publicity
-Business Marketing and Public Relations
-Consulting/Image Building/Branding
-Feature Film (Theatrical and Home Entertainment) Publicity and Promotion
-Web Series Publicity and Promotion
-Social Media Training
-Author/Book Promotion
-Event Management, Marketing and Promotion
-Media Relations
Get the best results for the best prices with World Star PR
Contact us: worldstarpublicrelations@gmail.com

Please support Ladylake Music for Best Promoter and Jimmy Star for Best Publicist in the 5th Annual Nashville Universe Music Awards.

To vote, go to www.NashvilleUniverse.com and create an account. Once completed hit the VOTE NOW button at the top of the page to vote for all the categories. Make sure to vote for Ladylake Music (Best Promoter) and Jimmy Star (Best Publicist) while voting on all the amazing categories.

It’s FUN, FREE & GREAT NETWORKING with amazingly talented singers, producers, bands, filmmakers, musicians and more.

Follow Ladylake Music on twitter @LadylakeMusic
Follow Jimmy Star on twitter @DrJimmyStar
Follow Nashville Universe on twitter @NashvilleUnivers

 

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Cale – Good Day

Cale – Good Day 

INSTAGRAM: www.instagram.com/dearkingcale/?hl=en

Chinese performer and songwriter Cale’s latest single “Good Day” follows up his late 2017 EP release Villain with a track brimming over with the same charisma and swagger that’s been his hallmark since first coming to the music world’s attention in 2010 as a young teenager. He’s soon to turn twenty five years old and the astonishing growth he’s experienced as both a performing artist and writer suggests Cale will be with us with some time to come. His instincts for the form are embodied by the song’s four minute running time – it’s a perfectly crafted track in the hip hop style and doesn’t sound uncertain at all while avoiding any hint of the self indulgence we’d undoubtedly hear from lesser performers. He has an veteran’s assurance and the urgency of a young performer taking great strides towards his artistic destiny. “Good Day” is Cale’s finest single yet and shows that his thirst for new challenges is growing with each new accomplishment.  

There’s an understated ambition surrounding this song. It doesn’t announce itself with trumpets, literal or otherwise, but instead comes through it how it unexpectedly melds traditional musical elements like unexpected R&B influences with his obvious devotion to hip hop style. He cites American hip hop artists as influences alongside his Chinese influences and you can hear that in his music, but it has the good fortune to come across in an individual way rather than as some sort of slavish imitation. “Good Day” varies from a full on approach, emphasizing its groove at the strongest points, over to relaxing and paring away elements during certain sections. The chorus stands out thanks to a smattering of post-production effects added to his voice that fattens its sound. “Good Day” comes off as an unified effort from the first and there’s little doubt that Cale came into the studio for its session focused on a specific sound and end result for this track.

The vocal is its crowning achievement. He has a reassuring, lightly commanding presence from the first and keeps it balanced throughout without ever lapsing into any histrionic moments. There’s a definite pulse to Cale’s hip hop style that you can hook into from the first and it only grows even stronger as the song continues and musical feel for what the song needs to be most successful is unerring from the first. “Good Day” has a powerful and immediate sound that never becomes heavy handed while Cale serves up lyrical content that stays far away from the genre’s typically formulaic moments. There’s an immense amount of charisma and personality coming off this song and the confidence is palpable. Cale’s “Good Day” is as fantastic of a hip hop single as you’ll likely encounter in 2018 and has the potential for appealing to both casual and hardcore music fans alike. It’s a real corker from the first and has plenty of pop and musicality.  

Clay Burton

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Rob Alexander – Back to the Radio

Rob Alexander – Back to the Radio 

South Florida based singer/songwriter Rob Alexander proves he’s gifted on a level shared by few with the release of “Back to the Radio”, a single from his collection Long Road Coming Home. The track and album are produced by renowned board magician Gabe Lopez; in tandem, these two musical imaginations shape “Back to the Radio” in a compelling way that listeners will latch onto while showing off idiosyncratic shades that mark the tune as his own rather than something imitative. Alexander’s medical career as a successful anesthesiologist working out of the South Florida area and his role as an educator for future medical professionals shows there are depths to this singer and performer shared by few in the music world today. Based on this song alone, Long Road Coming Home promises to be one of 2018’s more affecting musical experiences.  

“Back to the Radio” has the cool, simmering stride of the mature and fully realized AOR rock song. Rob Alexander’s confidence is superficially surprising considering his long standing focus on a medical career over the musical and some of that may be explained by Gabe Lopez’s steadying presence on the recording of the single and album. It’s likely more explained by the presence of Alexander’s innate talents rather than attributable to any outside force. His songwriting is impressive in every way. The construction of “Back to the Radio” is arch-traditional, yet the spirit of the song is infused with the unique presence of a charisma all Alexander’s own rather than relying on imitation to win over listeners. It makes this song a classic example of pouring old wine into new bottles if nothing else. Alexander doesn’t sound like a newcomer; instead, he sounds like an experienced professional and an artist putting his hand to his finest work thus far.  

The classic rock leanings of the song, bringing guitar, bass, and drums together, are arranged in a pop inspired fashion focusing more on melody than pure rock muscle. It has a dramatic edge, however, that Alexander’s profoundly emotive voice capitalizes on and backs off at all the right places to make for a more nuanced performance. “Back to the Radio” recalls songs from an earlier era, particularly the late eighties and nineties, but it doesn’t sound like some inert tribute to a bygone era, but rather like Alexander has adopted a vehicle whose possibilities aren’t yet exhausted to best embody the sound he hears in his head. Rob Alexander’s “Back to the Radio” is the first song from Long Road Coming Home and represents him coming out of his corner with the impassioned energy of an artist unleashed at last. It’s a condensed, orchestrated performance that hits all the right notes and promises much about the quality to come hearing Long Road Coming Home in full. It shows off an artist who deserves to be heard far and wide.  

YOU TUBE: www.youtube.com/channel/UCjsR5vSRwZU3THa6YH2nXbQ

Clay Burton

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Andie Duquette To Release Spectra Music Group Debut Single “Nothin’ On Me” Friday April 20th, 2018

 

Andie Duquette is releasing her Spectra Music Group debut single “Nothin’ On Me” Friday April 20, 2018. Now available for pre-order, reserve your copy today!

Andie Duquette is a Canadian country rock singer from Montreal, Quebec. She’s been known to favor a dab of “edge” in her personal brand of country music, whether we talk about her strong and direct “women first” lyrics to some of her more robust songs. You’ll find Andie to be somewhere between Shania Twain and Miranda Lambert but there’s no mistaking it: this country girl is definitely rock’n roll and she wouldn’t have it any other way.

In 2013 Andie was a contestant of the hit TV show “The Voice”, Quebec’s version of “The Voice”, where she was a strong semi-finalist. Tino Izzo (Celine Dion, Bobby Bazini, The Wilkinson’s, Roch Voisine, Garou, Jacynthe, Yuna Ito, Saya to name a few) asked to work with her. Tino and Andie started working together in 2014, putting in countless hours and
working hard to develop something distinct, something totally Canadian, and something they feel absolutely committed to. Andie, in the meantime, released her 1st solo French album in her native Quebec in 2015 where she was extremely well received.

Now signed to the Spectra Music Group, Andie Duquette is preparing to release her debut album “Here We Are” in late summer 2018.

Watch the “Nothin’ On Me” music video here:

Call and request the “Nothin’ On Me”  by Andie Duquette at your favorite country radio station today!

Pre-Order your copy of “Nothin’ On Me” by Andie Duquette on iTunes in the United States here:

itunes.apple.com/us/album/nothin-on-me-single/1364409972

The official site for The Spectra Music Group may be found at www.SpectraMusicGroup.com
Follow Andie Duquette on Twitter @AndieDuquette
Follow the Spectra Music Group on Twitter @SpectraMusicInc

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CAP – Official

Cap – Official 

TWITTER: twitter.com/@capishmusic

Cap’s “Official” is the new single from a Southern California music giant in the making whose four solo albums thus far has helped establish him as one of the most thrilling hip hop talents on the scene today. Michael Capshaw’s rising profile in the music world comes around as honest as it gets – he’s built his reputation through the aforementioned solo albums, video appearances, live performance, guest spots on releases like the Bones Thugs & Harmony tour album, and producing numerous artists as well as his own music. His tenure serving overseas in the military is likely an influence on his command over what his art and career needs, particularly in the area of work ethic and discipline, and the quality of this song bodes well for his soon to be released fifth project Scorpio. “Official” is one more reminder that Michael Capshaw, otherwise known as Cap, is ready for prime time.  

A little over three minutes in length, “Official” has an evocative musical imagination while never coming off as overstated. – the melodies Cap follows are his own and the unique presence of that quality in his music marks his material as distinctly different from the genre’s more common fare. The best way to describe this song is a synthesis of styles – there’s hip hop present, soul, R&B, and even a light singer/songwriter sensibility in the lyrics’ deliberate attempt to make the personal universal. The arrangement underscores the presence of guitar in the mix and it’s a relatively unexpected addition makes the tune stand out more than it already does. 

The production and playing working in concert gives the instrument an unusually stylized sound that adroitly invokes a mood. Cap’s singing balances a thoroughly traditional approach to both integrating his voice with the arrangement and phrasing while also bringing a modern approach to his singing that crowns the song for listeners.  

The remaining instrumentation is equally well handled. The production complements the arrangement nicely without ever drawing too much attention to itself and balances the instruments well against one another while still highlighting the vocal. The completeness of this song is quite satisfying; from the first, Cap’s “Official” comes off like a song that knows where its going and has a compelling rhythmic arrangement working alongside some powerful melodic strands. It’s the next big step in a career in constant ascent and points the way towards even bigger accomplishments to come. Its warm, radio friendly veneer comes across from the first and sustain itself for the entirety of the performance. We need entertainers and musical artists like this in an increasingly cookie cutter age where the lowest common denominator wins out over quality far too much of the time.  

The beauty of “Official” is Cap’s own, imitative of no one, and exudes an emotional mood quite unlike anything else you’ll hear in this style. Both casual and hardcore fans alike will enjoy his work.  

YOU TUBE: www.youtube.com/user/capishmusic?feature=mhee

Clay Burton

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Paisley Fields “Glitter & Sawdust” Album Release Party Thursday April 12th, 2018 Brooklyn, New York

 

Country Superstar Paisley Fields is having his highly anticipated “Glitter & Sawdust” album release party  on Thursday April 12th, 2018 at C’mon Everybody in Brooklyn, New York from 8-11 pm ET with Karen and the Sorrows and Mylo.

Paisley Fields are a queer country band, unapologetic about pushing boundaries and seeking inspiration in the unexpected. Though lead singer James Wilson is inspired by country musicians like Dolly Parton & Gram Parsons, he wanted Paisley Fields’ music to reflect the modern world.

Paisley Fields have shared the stage with En Vogue, Daniel Romano, Bonnie McKee, Mya, The Difibulators, & Taylor Dayne.

Notable performances: Brooklyn Country Music Festival Nashville Pride
Brooklyn Music Festival Evolvement Radio
New York City & Brooklyn Pride Queer Music Festival
WDVX Blue Plate Special Louisville Pride

Pittsburgh City Paper writes “While Paisley Fields have a good bit in common with contemporary country – rich production, songs with pop bones and twangy accents – the band probably won’t be touring with Toby Keith anytime soon. They’re a refreshing change from country radio.”

The Paisley Fields will be playing great new music including their single “The Door”  which is about loving and supporting friends and loving yourself, and is the first single off the soon to be released new album “Glitter & Sawdust”.

Get your copy of “The Door” by Paisley Fields here: thepaisleyfields.bandcamp.com

Check out the new music video for the first single  “The Door” by Paisley Fields here:

youtu.be/97SqM8K79PY

Support great music at the Paisley Fields “Glitter & Sawdust” album release party with Karen and the Sorrows and Mylo at C’mon Everybody located at  325 Franklin Avenue, Brooklyn, New York, 11238.

Follow Paisley Fields on Twitter @ThePaisleyField

For more information contact worldstarpublicrelations@gmail.com

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Ghostly Beard To Release New Single “Going Away” On Monday April 2nd, 2018

 

Visionary recording artist Ghostly Beard is releasing his highly anticipated new Classic Rock single “Going Away” on Monday April 2nd, 2018. “Going Away” is the second single off the soon to be released album “Inward” now available for pre-order!

There is an enigmatic bigfoot-like character that just came out of the woods after 15 years of being lost. He goes by the handle Ghostly Beard, and he’s a multi-instrumentalist and visionary artistic entity with a boundlessly creative sweep that encompasses soft rock, jazz, prog-rock, fusion, pop, classic rock and more….

Ghostly Beard’s kaleidoscopic creativity has garnered him comparisons to such diverse artists as Steely Dan, Pink Floyd, James Taylor, Genesis, XTC, Cat Stevens, Weather Report, Michael Franks and Chicago. He crafts immersive dreamy sonic landscapes that emotionally blur the line between dark catharsis and subtle rays of hope.

“Going Away” is the second single from the upcoming album “Inward,” Ghostly Beard’s third studio album, which will be released worldwide on May 4th, 2018.

“Inward” is now available for pre-order on iTunes in the United States here:

itunes.apple.com/us/album/inward/1339781849

All the net benefits of the sales from the “Inward” album will benefit MusiCounts, a charity whose mission is to ensure that all children and youth in Canada have access to music education. www.musicounts.ca/

“Going Away” will be available on Monday April 2nd, 2018. Support great indie music and get your copy of “Going Away” by Ghostly Beard as well as pre-ordering “Inward” on digital sites worldwide.

Call and request “Going Away” at your favorite Rock radio stations today!

For interviews or more information contact worldstarpublicrelations@gmail.com

Links

ghostlybeard.com

www.facebook.com/aghostlybeard

twitter.com/ghostlybeard

www.youtube.com/c/ghostlybeard

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How an 18-year old inspired donations to animal charities from the Beyond

How an 18-year old inspired donations to animal charities from the Beyond

The spirt of Elizabeth (Lizzie) Collazo has moved Bennett & KC Chesne to create a collection of music to honor her and to honor a cause very dear to her by donating proceeds to animal charities.
The song, Lizzie (Take you with me), is the single and the first video created for this album. The song describes the mother, KC, finding ways to keep her daughter involved in her life and the lives of her siblings since 2004, the year of Lizzie going on to the next world. Bennett wrote the first song (which is actually the third song on the album) right before the funeral and played it at the gathering after the service. So, you can say this album has been 14 years in the making.
Lizzie loved animals and often used to bring home strays, hiding them in her room from her parents. To honor Lizzie, we are donating half of all proceeds to animal charities. We believe this is what she would want to do. This is our way of honoring and keeping her with us.
The animal charities we are donating to on Lizzie’s behalf are:
Humane Society
Animal Welfare Institute
PETA
All the music and lyrics on this album have been written, recorded, and produced by Bennett Chesne. Currently, the music director for L.A. based, The Art Collaboratory .
Bennett Chesne’s work on major releases include: Michael Penn “Free-For-All” and John Stevens “His Boy Elroy”. KC Chesne collaborated on the lyrics for Lizzie (Take you with me) and is the lead vocal on that song.
We are including a SoundCloud link as well as a YouTube video link.

YouTube: www.youtube.com/watch?v=xuSCaPOQzls
Thank you.
Best Wishes,
KC Chesne
310-425-4139

www.hunters-n-gatherers.com/lizzie/

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Joshua McClain – Coming Home

Joshua McClain – Coming Home

YOU TUBE: www.youtube.com/watch?v=T4vN-nEvA28

Joshua McClain’s first self-titled EP was released in June 2011. He also collaboratively released a full-length album in March of 2016 with The Handsome Brunettes, titled Is Fortune a Wheel, with critical acclaim. Highly sought after for both his composition and improvisation as a studio musician, Joshua stays busy working with many Bay Area artists, including folk/americana sensation Spark and Whisper and on Sara Lovell’s latest album You’ve Got Me, winner of the 2016 parent’s choice award. Coming Home, his latest is a concept album based on Joseph Campbell’s hero’s journey, and Joshua’s cello leads as the main instrument.

Joshua’s style is deeply influenced by the music of Andrew Bird, Zoe Keating, Mark Summer, Yo-Yo Ma, Sigur Rós, Dirty Three, Jimi Hendrix, Max Richter, Yann Tiersen, and Hans Zimmer, among others. These are all details you can find along with so much more at his website. The album is a lot to take in, especially in one sitting, as it plays like one track but there are eight altogether. It starts out with “Journey” which hints at what’s to come and serves as a fine introduction to the concept. The music is somewhere between classical and Americana if it fits any categories. Some might even say it verges on prog rock.

There’s a heavy-handed inclination about it, combined with some influences that certainly don’t count out the prog tag, but as McClain indicates, you can call it what you want, whatever feels right. It’s about how you see it, as well as how he intended it about himself, also pertaining to the Campbell storyline. The second track, “A New World” plays its part more-or less in the triple entendre of author, musician and audience the album covers with no secret about it. This lush piece is where it begins to take off and captivate you with its marvelous musicianship and lavish production.

The following response is musically one of the more outstanding songs of them all, with “Spirit Guide” lifting things up as high as you can imagine thus far on such a cool album. It might even be the sleeper track of the album, depending on whether-or not you like the howling female vocals which for my taste really help make this song what it is. The build-up as it closes, leaves you wanting more, and more I did get as I listened to it a few times on the first outing. If I had a favorite track this would be the highest contender for it, but to be fair and honest, to my ears there is no filler on this brilliant release.

“A Storm On The Horizon” is one of the lesser dynamic but more laid back and groovier tracks to its credit. If “slinky” is a good word for it, then it will do. It’s a mood piece that works within the concept, and if you look at it all as one big piece of music, you’ll comprehend it a lot better. Either way you slice it here there’s something for any lover of everything from classical to folk and even some rock. From the opener, to “Underworld,” and “Rebirth,” to the roaring wonders of the fantastic “Hear My Voice” which is a must hear. It might even be worth the price of admission, it’s beyond innovative, and of genius quality.

CD BABY: store.cdbaby.com/cd/joshuamcclain1

Clay Burton

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Ashley J – Satisfied

Ashley J – Satisfied 

URL: ashleyj.net/ 

Powered by some of the biggest writing and production talents working in pop music today, Ashley J’s debut EP Satisfied realizes the potential exhibited by her first two singles “Trapped” and “Unbreakable” while expanding her artistic reach with an added three songs. The five song release is the full emergence of a pop/EDM influenced songwriting and vocal talent quite singular among her generation in the way she so seamlessly brings the present and past together in one appealing package. The Orlando native, now based in the Los Angeles area, is definitely easy on the eyes, but she generates genuine musical heat in these songs, takes on considerable songwriting responsibilities, and her personality burns through the songs with a memorable charisma we don’t often hear from cookie cutter modern pop. The individuality and passion in Ashley J’s music is her own and utterly unmistakable.  

The authoritative opening for the EP’s first song “Trapped” comes about thanks to an union of attention grabbing percussion with the confident sound of Ashley J’s voice entering the mix early in the song. It continues to maintain the same dramatic edge when the song begins, only on a larger stage than before, and Ashley proves more than capable of ratcheting up the intensity of her own singing in response to changes in the performance. The song is a little longer than the average single in this vein, clocking in at four minutes, but never lapses into self indulgence and keeps listeners occupied for the duration. The shorter “Unbreakable” has a softer edge than the opener and her voice juxtaposes quite well against the song’s insistent EDM pulse. The song accumulates effects as it progresses and ends up with a rousing payoff for listeners.  

The EP’s title track comes off like a big screen tune from its first notes onward. This is a song that’s built from the ground up with tremendous passion and a clear idea of where they want to go with the writing. It also continues to show off the different sides of Ashley J’s musical character that mark her as more than a common pop/EDM songstress. “Like You Used To” has an insistent grind that Ashley J brings a lot of extra heat to, but the arrangement doesn’t content itself with following one line of attack and the musical shifts are welcome and propel the song further along. Her playful, sure-footed vocals are another highlight of the performance. The EP’s final song “When I Come Home To You” mixes much of what we’ve heard from the previous four tracks in with a strong acoustic guitar track running underneath its colorful bells and whistles. It’s an excellent conclusion for the EP reminding listeners that Ashley J’s journey will continue to be filled with tasty surprises from this point forward. Satisfied isn’t particularly long, but it will end the young year rated high on anyone’s list of top pop recordings released in 2018.  

SOUNDCLOUD: soundcloud.com/ashleyj_music

Clay Burton

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